{"id":31665,"date":"2015-08-27T14:40:23","date_gmt":"2015-08-27T18:40:23","guid":{"rendered":"http:\/\/wanderlust.com\/?p=31665"},"modified":"2015-08-27T17:06:48","modified_gmt":"2015-08-27T21:06:48","slug":"a-yogi-opens-up-about-teaching-at-burning-man","status":"publish","type":"post","link":"https:\/\/wanderlust.com\/de\/journal\/a-yogi-opens-up-about-teaching-at-burning-man\/","title":{"rendered":"A Yogi Opens Up About Teaching at Burning Man"},"content":{"rendered":"

As like-minded souls from all walks of life\u2014yogis and ravers and hippies, oh my!\u2014converge in Nevada\u00a0for the 2015 Burning Man festival<\/a> next week, we reached\u00a0out to someone who’s embracing the Gifting Economy whole-heartedly by teaching\u00a0on the playa. Rebekah Nagy<\/a> is a Brooklyn-based yoga teacher whose methods embody the intersection of\u00a0contemporary practice\u00a0and ancient Vedic\u00a0philosophy, what\u00a0Mark Singleton<\/a> calls \u201cmodern transnational anglophone yoga.\u201d<\/p>\n

***<\/p>\n

Wanderlust (WL): <\/strong>How many years have you been to Burning Man? How many years have you taught on the playa?<\/p>\n

Rebekah Nagy (RN):\u00a0<\/strong>This will be my third year attending Burning Man, and my second year teaching yoga there. The first year I felt like I needed to spend some time in Black Rock City (BRC)\u00a0before I\u2019d know exactly how I could contribute to the culture, beyond the immediate and spontaneous contribution of being there. I needed to experience what yoga on playa is like. The second year I got organized so that I could share something very dear to me: teaching yoga.<\/p>\n

WL: <\/strong>Why do you teach on the playa? How do you envision your offering helping or affecting people at the Burn?<\/p>\n

RN:\u00a0<\/strong>For those who haven\u2019t been to Burning Man, it\u2019s important to know that it is a gifting culture<\/a>, not a bartering culture. Offering an item or service without expectation of a return, versus trading, gives us the opportunity to be much more generous and kind to one another than our current culture allows, wherein profitability is valued above all. It removes us, at least temporarily, from a paradigm that it can be tough to imagine living without. Yoga is still a luxury for most people, so when possible, I like to give it away. I\u2019m of limited means, but something simple and free, like teaching a yoga class, I can easily give this to others. I know just how much better my own body feels after a yoga class, when I\u2019ve been building shade structures by day and dancing all night. And in an intensely stimulating outer landscape like BRC, it\u2019s important to give ourselves time to appreciate how our own inner landscapes respond to such input.<\/p>\n

WL:\u00a0<\/strong>A\u00a0<\/em>major principle of the Burning Man philosophy is radical self-reliance and independence. Does your teaching style fit within this principle? How or why?<\/p>\n

RN:\u00a0<\/strong>Yes. Emphasis on the individual underpins all the yogic and somatic training I\u2019ve undergone in the Krishnamacharya<\/a> lineage, as well as my post-500-hour studies in anatomy via a Body-Mind Centering lens. As a teacher it is not my job to tell students what kind of experience they are having or are supposed to have, but rather to hold safe space and offer useful parameters, a framework, wherein they can attend to their breath and the quality of experience they are having. This supports their ability to be present and meet whatever comes up in our shared\u00a0space. In my personal yoga journey, and through meditation as well, I\u2019ve learned the immensity of my own power to shape my experience in a given moment. It was revelatory for me when, after enough steady practice, I started to taste this truth firsthand. I started to learn what it feels like to be truly present. It\u2019s kept me from falling into the non-participatory delusion of Default-world life [a Burning Man term for „the real world“].\u00a0There is a very rich life beyond the service economy to which we\u2019ve all become accustomed. This is why I teach now: To offer others some of the practices that have engendered this strength in me.<\/p>\n

Knowing I run the risk of sounding paradoxical, in becoming self-reliant and independent, we also have the opportunity to discover just how inextricably interconnected we actually are. Civic responsibility and participation are two Burning Man principles that balance radical self-reliance and independence. Many of our default world social structures drive wedges between us, and strip us of true participation and responsibility. It feels amazing and empowering and very quintessentially human to reclaim co-creation.<\/p>\n

WL:\u00a0<\/em><\/strong>What are some of your favorite moments teaching at Burning Man? Was there ever a moment someone made an amazing breakthrough on the playa at one of your classes?<\/p>\n

RN:\u00a0<\/strong>Oh wow. I wish I had a specific playa breakthrough story to offer! Reading the piece on Wanderlust about yoga at Burning Man<\/a>\u00a0in preparation for this interview was very powerful. I did teach a class at Kostume Kult last year at the burn, and my students were repping just about every playa costume archetype you could imagine. There were booty shorts, fairy wings, tutus, and even a lion onesie. That whimsically-clad class captured a particularly playafied moment. It was silly and wonderful.<\/p>\n

WL:\u00a0<\/strong>What were some of those moments in Default?<\/p>\n

RN:\u00a0<\/strong>I\u2019ve certainly encountered teary students after classes, who were able to find space to have a much-needed release. Default world culture can color these experiences as \u201cnegative,\u201d when in fact, they\u2019re just what we need, an expression of deep feeling we\u2019ve been denying expression. Most of society I\u2019ve encountered doesn\u2019t hold space for this. I\u2019ve experienced similar releases too, many times, in my 14+ years of yoga practice. These experiences have made me more whole.<\/p>\n

Because yoga is to some degree about recognizing and breaking patterns, I also try to keep my language fresh. I try to voice my alignment or breath instructions in new ways, so that my students have the opportunity to reconsider their movement choices, or the relationship between their bodies and breath and a given posture. There have also been times, while teaching, when I can feel something moving through me, the best description of which is inspiration, pun intended, and I\u2019m able to convey, with the collective power of something bigger than myself, a deep kernel of meaning that feels like something I\u2019ve only felt but never quite been able to articulate. I think Krishnamacharya said that the quality of the student determines the quality of the teacher, and this rings true in my experience. What a privilege! I feel such gratitude that this is what I get to do to earn a living, since we live in a world that demands we spend so much of our time working to earn a living. That\u2019s another Burner value\u2014blurring the line between work and play. I try to do it every day!<\/p>\n

WL:\u00a0<\/strong>You’ve taught\/worked with people struggling with substance abuse. Most people’s stereotypes of Burning Man involve copious amounts of libation and intoxication. Does your particular experience have significant impact possibilities at Burning Man?<\/p>\n

RN: <\/strong>Well, as you said, these are people\u2019s stereotypes. I\u2019ve had some of the most transcendental and gorgeous experiences of my life on and off playa, with no help from exogenous substances, while dancing, or watching a sunrise, or having a simple interaction in a new or profound or particularly connected way. When we turn to anything compulsively, it is because we seek a deeper connection than we think we are capable of experiencing in everyday life. Yoga philosophy teaches us that anything can become an addiction, and that our habitual way of meeting the world, the part of us that thinks it has a specific identity, is a complex accretion of deeply ingrained conditioning.<\/p>\n

Not all medicines are created equal, however, and I think sometimes we have to lose ourselves to find ourselves. So I can\u2019t compare the gamut of substances used and abused in Default world or\u00a0on-playa, really. Humans embody a capacity for over-use of anything, anywhere. I work with clients who are recovering from addiction to a wide variety of substances, and years of abuse of drugs with a heavy body load\u2014like alcohol or amphetamines or heroin\u2014simply isn\u2019t comparable to the healing power of judicious entheogen use<\/a>. Learning to maintain steadiness in a destabilizing situation is part of yoga practice. The line feels very grey: We tend to impose similar moral bias in our society, regardless of the substance, since they are treated similarly in our legal system. But this is wrong.<\/p>\n

WL:\u00a0<\/strong>You’re not only teaching yoga on the playa\u2014you’re also doing some workshops. What is primal screaming? Why is it important? How does it deepen our yoga practice or our experience with ourselves?<\/p>\n

RN:\u00a0<\/strong>Honestly, I couldn\u2019t think of a better name than \u2018primal screaming\u2019 for an improvisational sound-making session<\/a>. If we\u2019re called to move or dance or beat rhythms into the dust too, so be it. We\u2019ll be setting aside time to gather together and scream and moan and writhe and dance, and in my experience, this spontaneous, creative, and cathartic practice is super fun and really healing. We rarely allow ourselves to be so free, and I never realize just how much I\u2019ve needed it until I do it. Some of the workshops my campmates and I are offering are activities I\u2019d like to do anyway, but struggle to find the space for in Default world. (You know … The neighbors would complain!) As Eckhart Tolle says, „Body awareness not only anchors you in the present moment, it is a doorway out of the prison that is the ego.“<\/p>\n

WL:\u00a0<\/strong>In the same vein, why is sound-making important? What do you mean by this? Is it more than just our breathing?<\/p>\n

RN:\u00a0<\/strong>Just<\/em> our breathing? Even that is so huge! Making sound tends to lengthen your breath, which tends to make you feel more relaxed. Making loud, crazy, violent, terrible, or extremely enthusiastic and joyful sound helps you release super deep stuff. It feels great. From a Vedic perspective, as if I\u2019m at all qualified to begin a sentence this way, but I\u2019ll do the best I can as a Westerner to describe what I think a Vedic perspective is, sound is everything. It is manifold creation, shabda brahman. I know that therapeutically, connecting with the resonance of soundmaking has a way of going in the back door, of getting us out of our heads. It\u2019s like postural yoga, where we work with our bodies to get into deeper parts of ourselves with less resistance from our egos.<\/p>\n

WL:\u00a0<\/strong>How does Burning Man fit into a yogi lifestyle? What are the similarities in the communities? Do they share some of the same principles?<\/p>\n

RN:\u00a0<\/strong>They support one another immensely. In different ways, they\u2019ve both helped me to better connect to myself, so that I may better connect to others. They\u2019ve helped me to know my own strength and power, and to understand the arbitrary nature of many societal boundaries, so that I can create the kind of world and relationships I want to have, rather than blindly accepting the status quo. They\u2019ve taught me steadiness and playfulness in unsteady and challenging situations. They\u2019ve taught me presence.<\/p>\n

If you’re going to be at the 2015 Burning Man festival, don’t miss Rebekah Nagy’s workshop on\u00a0Tuesday, 10:30am\u201312pm Yoga at Amberland, followed by a 12pm primal scream session.<\/em><\/p>\n

\u2014<\/p>\n

\"Rebekah<\/a>Rebekah Nagy has been practicing yog\u0101sana since 2001 and teaching since 2011. Currently a student of kinesiology, Vedic and sutra chanting, and the Sanskrit language, Rebekah also engages in many creative endeavors ranging from performance, dance, and painting to analog film and installation\/costume\/ritual art. She practices Haitian Vodou drumming and dance, loves to cook, and commutes by bike. In growing season she can be found in her roof garden, either\u00a0working hard\u00a0or sitting still. For more information check out rebekahnagy.com<\/a> and follow her on Facebook<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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