Christopher Hawley stepped onto a yoga mat about twenty years ago in Boulder, Colorado. Since then, his yoga practice has flowed into all aspects of his life, especially to his music and even to his songwriting.

Yoga is a great meditational workout,” says Hawley. “It’s a full-body experience…. You’re trying to tune in to the breath and, ultimately, become one with each moment. It forces you to practice being present, just like when you’re playing music.”

After studying classical guitar as a child and playing in the jazz band in high school, Hawley co-founded Mucis, a Colorado jam band whose members signed to a label and toured nationally in a school bus retrofitted in the Northeast Kingdom of Vermont. He could never get enough of being on the road performing original music, so when the band broke up, Hawley forged on as a roots rock singer-songwriter in Los Angeles.

As a solo artist and with an expansive collective known as The Christopher Hawley Rollers, he has had music licensed for Fox’s “The Good Guys,” NFL’s “NFL A.M.,” and several independent films. The band was featured in an H&R Block commercial playing two of Hawley’s songs. Over the years, he has played everywhere from LA’s Greek Theatre to yoga retreats in Bali and dive bars in ski and surf towns, and he has released eight albums.

A few years back, Hawley’s friend, Randy Wooten, offered to produce a few tracks in exchange for surf lessons for his girlfriend’s son. Hawley and Wooten began writing together on a regular basis. Their prolific partnership produced a long list of songs. One song, “Sidewalks and Bars,” was conceptualized during one of those surf lessons.

What began as a casual collaboration between two friends in Venice soon became a full-length album.

“The approach was collaborative, from the songwriting all the way through the recording process,” Hawley says, “It felt like a weight was lifted off my shoulders with Randy in the producer’s chair: In the past, I’d done almost everything myself, so to be able to show up focused on the music was liberating.”

The new album, Stories, reads like a series of miniature character studies, washed in California Roots Pop.

Hawley is spreading his wings in a way he never has before. The album is beautifully produced: Wooten did his job well, taking a roots rock palate and adding memorable touches like barrelhouse piano, reverb-soaked guitar, and even modern synth sounds. Hawley’s up-front vocals lend the songs a remarkable sense of intimacy.

However, it’s the collaboration between the two songwriters that makes Stories shine. The songs are smart and compelling, and there’s a depth to the tales they tell that makes you want to listen more closely.